Tag Archives: The Criterion Collection

Infographic: The Criterion Collection By Country

CriterionByCountry_Header

As the last month or so here at TDYLF has illustrated, the Criterion Collection has an amazing variety of top-shelf cinema. It’s a gateway drug for becoming a film nerd, with films from multiple genres, eras, directors, actors and actresses, and countries. It’s that last portion that I’ve decided to focus on today. I’ve created an infograph that visualizes just how many countries are represented (and how well represented they are) in the Criterion Collection. If you’ve ever wanted to know just how many French, American, Swedish, British, Italian, Mexican, Polish, or Macedonian films Criterion has championed, particularly in relation to one another, this is your chance. Enjoy! Continue reading

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Infographic: The Criterion Collection By The Numbers

The Criterion Collection has been providing film aficionados with top-flight content since 1984. Their mission is a noble one–a “commitment to publishing the defining moments of cinema for a wider and wider audience”. Along the way, they’ve restored and made hundreds of films available; adopted Janus Films; and created the Essential Art House and Eclipse Series divisions. They currently list 820 selections on their website (70 are out of print). The list comprises many of the most important films ever made. Here’s an infographic that breaks down the Criterion Collection: Continue reading

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My Criterion Top Ten Top Ten

The Criterion Collection has an excellent series called Top 10 where they invite filmmakers, film critics and theorists, actors, cinephiles, and celebrities to list their Top 10 from the Criterion Collection. It’s a really unique series because it provides wonderful insights into what has influenced these people. Now that I’ve been reading these lists for a few years, my own personal top 10 of Criterion Top 10 lists has started to emerge. Here are the 10 people whose lists I like the most: Continue reading

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The Women of the Criterion Collection: A (Fake) Calender

The other day, I found myself wishing that movies turned people on the way they turn me on, metaphorically speaking. This led to some pondering about what exactly does turn movie geeks on? How about seedy calendars?!?! And with that, I present to you my proposal to the Criterion Collection- a calendar featuring the sexiest ladies that the Criterion Collection has to offer. And yes, Deneuve is the August pic. Because my birthday is in August. Happy birthday to me!

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Filed under Foreign Film, French Film, German Films, Ingmar Bergman, Japanese Film, Movies, Swedish Film

12 Great Film Company Idents



A few months back, I discussed the evolution of the Universal Pictures ident in some detail. Many incarnations of the intro evoke positive movie memories for me. But they aren’t the only film company whose ident has a positive connotation. Not including Universal, here are twelve more great film company idents. The plan was for eleven but there was one that would get left out, which seems pointless:

The Criterion Collection
It’s simple, it’s clean, it evokes a running film projector, and it serves as the intro to some of the best films in history:

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My Criterion Top Ten

The Criterion Collection has a very enjoyable series called Top 10s where they invite filmmakers, film critics and theorists, and just good ol’ fashioned celebrities to list their Top 10 from the Criterion Collection. It’s a really unique series because you get great insights into what has influenced these people. For instance, Steve Buscemi lists John Cassavetes’ A Woman Under the Influence at #10, and states:

I have been under the influence of John Cassavetes and Gena Rowlands and their extended family in film ever since I saw a retrospective of Cassavetes’s movies at MoMA soon after he died.

Is it any surprise at all that Steve Buscemi, a stalwart of 90’s indie cinema, would hold such reverence for John Cassavetes, the Godfather of independent cinema? Guy Maddin lists Clement’s Forbidden Games at #1 and Häxan at #10. If you’re familiar at all with Maddin’s films- silent film homages which generally place a magnifying glass on childhood trauma- you realize the imprint that these films had on him. Admittedly, I’ve only seen approximately half of the Criterion Collection, around 250 films or so in their catalogue. Here’s my stab at the Criterion Top 10. Continue reading

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Filed under Foreign Film, French Film, Japanese Film, Movies, Swedish Film