That Magic Moment


It’s been said that you can know whether or not you’ll like a movie within the first 15 minutes. By and large, I’ve found this to be true. It’s like trying on a pair of pants and knowing whether or not it’s a good fit. You don’t need to wear them out of the store, out and about in public. This is also why screenwriters understand that the most important part of their film is the first and last 15 minutes. But it takes a little bit more to elevate a film to the beloved class. It takes a magic moment.

Watch enough movies and you’ll realize that there are tons of good movies, and even tons of average movies. But very few achieve greatness. Usually, it takes a magic moment for the audience to realize that they’re witnessing greatness. Sometimes it’s a scene. Sometimes it’s half of a sequence. Other times, it’s as simple as a line of dialogue or, better yet, a sly look from a character on screen. But you’ll know it when you see it. It’s the exact point of a film in which you decide that you will be singing its praises for years.

I’m bringing all of this up because I’ve had this exact experience on two occasions in the last few weeks. The first time was during The Phantom of the Opera (1925), featuring Lon Chaney, Sr. It’s an unquestioned horror classic, a hallmark of Universal’s early forays into horror, and it stars one of my favorite actors. Why I had waited this long to see it, I will never know. But I can’t stress enough how happy I am that I finally watched it. From the ominous first scenes, the tension builds and builds before the Phantom is eventually introduced. But his face is masked, adding to the tension. It’s not until an argument in the middle of the film between Christine, the female lead, and the Phantom that we get a peek at his face. The whole film ramped up to the specific moment that she ripped off his mask, revealing a grotesque, skeletal visage. In fact, Universal went way out of their way in the marketing for the film to avoid showing how monstrous Chaney was under the mask. And it paid off in buckets. With all due respect to the rest of the film, that specific moment- when his face was revealed- was precisely when I knew that I was witnessing something transcendent.

The second experience happened during Busby Berkeley’s Dames (1934). For a few years, I’ve heard about Berkeley’s prowess with kaleidoscopic dance sequences in 1930s musicals. His work was a large influence on both Edgar Wright’s Scott Pilgrim vs. The World (2010) and a particularly funny scene in The Big Lebowski (1997)– the Dude’s “Gutterballs” dream. Dames was my first Berkeley film and it started well enough. The humor early in the movie was Sturgesesque. Then in the middle of the film, I saw this dance sequence. Jump to the 4-minute mark.

It blew my mind. You all probably know by now that I’m not typically into musicals and I’m certainly not into dance numbers, but this is something else altogether. It’s Busby Berkeley creating a moving, living, breathing piece of art… using human beings. In short, it was a magic moment, one that carried the film to a higher plane of existence.


This certainly qualifies.

These two are just my personal most recent examples. Every truly great film has a specific sequence that makes viewers realize that they’re enjoying something above and beyond the average film. In Ingmar Bergman’s universe, it happens the second Death appears to Antonious Block on the shores of The Seventh Seal (1957). In La Dolce Vita (1960), it’s the scene in the Trevi Fountain. The Social Network (2010) has the Henley Sequence. Few films will top the shower scene in Psycho (1960). And on and on.

These moments in film are unmistakeable and unforgettable. They’re moments where you realize that you’re witnessing movie history, even if minor. They’re the brief, fleeting time when direction, cinematography, screenwriting, and everything else involved with a film reaches the apex, and it is glorious. These are the seconds of cinema that we, as audiences, live for.

What are some of your favorite magic moments?


Filed under Movies

10 responses to “That Magic Moment

  1. I’m sure that I’ve mentioned it before but two of my FAVORITE films of all time are ‘The Exorcist’ and ‘Raising Arizona’. Both of those films have very distinctive opening sequences.

  2. aleksa

    The last “magic moment” I can remember wasn’t actually the beginning of a film, but the end scene of season one of “Game of Thrones”. If you’ve seen the show you probably know what I mean, so I won’t go into too much detail. It was one of those times when everything just meshed perfectly: the acting, the effects, the music. I felt the way I used to when I watched movies when I was young.

  3. “It’s been said that you can know whether or not you’ll like a movie within the first 15 minutes” I think that’s right, though not always. Hmmm, there are just too many magic moments to mention… there’s one in Phantom of the Opera that comes to mind, but not the Lon Chaney version 🙂

  4. Oh man, I remember the first time I watched Chaney’s Phantom, specifically the unmasking scene. I was about 13 and it freaked me out (in such a good way). To imagine how freaked out audiences were when it first came out!

  5. Darah

    So many films I class as beloved, although I admit my standards are very low by Moviephile er…standards.
    Such as: the opening scene in Ghostbusters. Camera pans up outside the famous Lions outside New York Library with the (amazing) eerie music, the poor librarian in the card section and the first thing you see move by itself.
    I knew straight away this movie would be one of my all time favourites.
    The opening scene of Star Wars: iconic.
    The big reveal at the end of The Usual Suspects: stunning.
    Forbidden Planet: When the troops ‘light up’ the ID creature.
    That must have been really something way back then.
    But also as you say there can be moments in not beloved or special films, scenes that just knock you out:
    The Airplane toilet sequence in Get Smart (Steve Carrell): not often does a scene deliver me into my hysterical falsetto gasping for air maniacal laughter.
    The closing credits to Skyline.

    • I had forgotten how awesome and effective that opening Ghostbusters sequence was until I re-watched it at the theater last summer. That was some great stuff. Excellent addition.

      I also love the Forbidden Planet addition. It looks so hokey in retrospect but it was so fun to see it.

      For the not beloved category, I love love love the final shot in Electra Glide in Blue.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s