The Movie Weekend That Was

MovieWeekend

My next two weeks are going to be very busy, mostly thanks to work and baseball, which includes a trip to Milwaukee to watch the Cardinals play the Brewers. In preparation, I took Friday off for an extra long weekend of movies. This round of The Movie Weekend That Was includes a recent box office smash, an indie classic, a forgotten Disney film, a 70s comedy, and some of the finest that world cinema has to offer. This is the movie weekend that was.

Sex, Lies, and Videotape (1989)
This early film from Steven Soderbergh left me very impressed. It had the vibe of a Bergman film, wrapped up in a late 80s/early 90s American indie shell. The use of mirror image characters is as good as you’ll find, with both sets of mirror images serving brilliantly to push the film along on its unique, sexually-charged journey. It also flows effortlessly into post-modernism at critical times.
Rating: 5 out of 5 stars

two-time-oscar-winner-sean-penn-stars-in-gangster-squad-which-looks-like-a-rollicking-film-moreGangster Squad
The actors were all almost perfectly cast. The setting for the period piece was very good. But the dialogue was so awful. I rolled my eyes so many times. And Sean Penn’s character ruins it almost all by himself. It’s the kind of movie where a guy says “You know the drill” and then they stick a drill in a guy’s head. I actually said “oof” at the dialogue on three separate occasions. I really wanted to like this so much more because it’s right up my alley but Penn and the dialogue sunk it.
Rating: 2 out of 5 stars

Surf Nazis Must Die (1987)
Yikes. It’s dubious to gripe about a Troma release called “Surf Nazis Must Die”, but Surf Nazis Must Die must die.
Rating: 1 out of 5 stars

Witness (1985)
I have vague memories of seeing approximately thirty minutes of Witness when I was a kid, probably just a few years older than Lukas Haas was at the time Witness was made. That is to say that whatever I saw 30 years ago flew over my head. It was a Best Picture nominee for 1985, and it’s easy to see why. In both halves of the film, the “fish out of water” subplot is executed very well and the film fosters a certain noble savage-style respect for the Amish. I ultimately expected Witness to be something a little different- the romantic angle caught me completely off guard- but that’s not a complaint. The film weaves both the thriller and the romance together impressively.
Rating: 4 out of 5 stars

MIrror_01_28_53-r2The Mirror (1975)
The Mirror is Andrei Tarkovsky’s deeply personal take on Freudian surrealism. In many ways, this is precisely the kind of film that requires multiple viewings. That’s because Tarkovsky was such a master at mixing together so many elements and so many deeper themes. Simply on the first viewing, you don’t have to squint  to understand that this was a film made by a master of cinema at the top of his game, emptying his bag of tricks to build pure art. I’ve now seen four Tarkovsky films and each one has been a 5-star masterpiece. And I’m positive that I could re-watch all of them three more times and still not fully grasp just how impressive he was in creating them.
Rating: 5 out of 5 stars

The Hunger Games (2012) 
Admittedly, I am not this movie’s target market by any stretch. It makes perfect sense that The Hunger Games would appeal to a generation raised in a youtube world. It’s a tale of youth shedding their innocence and desperately clinging to their individuality in the face of millions of soulless, faceless viewers. I had avoided The Hunger Games a little bit because it’s aimed squarely at the young adult (teen/tween/whatever) demographic, a sub-genre of films that tortured the world with Twilight. But the themes in The Hunger Games are quite dark, satisfyingly so. Despite teetering towards cheese at times, by and large it stands tall as a solid big-budget effort.
Rating: 3.5 out of 5 stars

The Sword in the Stone (1963)
I had hopes for nostalgia when I decided to watch The Sword in the Stone. I hadn’t actually seen the movie, but there was a corresponding book that we had in our household when I was a kid. It got a lot of use. So I was very familiar with at least the story. Allow me to explain what this movie is. A 12-year old named Arthur (called “Wart” by everyone) meets Merlin the magician. Merlin teaches him how to become various animals- a fish, a squirrel, and a bird. All the while, they sing songs. Also, a female squirrel tries to have sex with Arthur/Wart. Then with five minutes left in the movie, he pulls the sword out of the stone. That’s… pretty much it. It’s fine kids fare despite the squirrel lovin’, but I was a little disappointed.
Rating: 2.5 out of 5 stars

Play It Again, Sam (1972)
Play It Again, Sam represents what I love about Woody Allen. There’s no denying that his neuroses set the tempo for the film, but it doesn’t dwell on it. There’s plenty of other humor to be had. And the homage to Casablanca, and Bogart specifically, is endearing. It’s a hilarious movie, and I’ve found that all of my favorite Woody Allen comedies come from his early 70s work.
Rating: 4.5 out of 5 stars

Play-It-Again-Sam

22 Comments

Filed under Movies

22 responses to “The Movie Weekend That Was

  1. The Hunger Games was pretty enjoyable, though I didn’t watch it for ages for the same reasons. Still, not a patch on Battle Royale.

    Play It Again, Sam is really great and the film that really got me into Woody Allen even though he didn’t direct it.

    • Ah, I assumed he had directed that. But sho’nuff, it was someone else.

      • It was directed by Herbert Ross and I think it is the only movie (along with Pussycat, Pussycat, I Love You) Allen wrote, but didn’t direct.*

        Having already written and performed it as a play, Allen wasn’t interested in doing anything with it for the big screen. If I remember correctly, he was cajoled into writing it and then, when they couldn’t find a suitable lead actor, was cajoled one again, to star in it.

        *There was an adaptation of his play Don’t Drink The Water, but he had no involvement in that, though did make a for TV version starring Michael J. Fox a number of years later.

        • I know that when I GIS’ed it for this article, I found a ton of pics of the play. Part of me was a little surprised because it’s not like it’s a wildly popular film. But that film, and Allen in general, gives itself to that format, so it made sense.

  2. Aleksa

    I avoided reading the Hunger Games series because, as you said about the film, I’m not exactly it’s demographic, my daughter is. I finally broke down and read them after my boss recommended them and got hooked. The film definitely did the book justice, making the killings disturbing without being overly gory.

    • John, I’m sorry to disagree, but Surf Nazis Must Die should be resurrected as one of those great “so bad it’s good movies”. It’s one of my favorite Troma releases, and it’s actually not as over the top as other releases by Troma. Granted, Troma is an acquired taste, but I lived in NYC during its 80’s heyday, so I’m quite fond of them.

      • I’ve seen a few Troma releases, but probably not nearly enough.

        Fun fact… did you know that Troma helped Louis Malle make My Dinner with Andre?

        • I actually did know that! I was in NYC during the 80’s and heard Lloyd Kaufmann speak on several occasions, and heard that little tidbit straight from the horses mouth….cinema makes some strange bedfellows! Even stranger than Corman distributing Bergman films!

          • Ha… my favorite Bergman/b-movie factoids are that:

            a) Bergman’s early films were basically sold as softcore porn to American audiences

            b) Carnival of Souls was Herk Harvey’s attempt at making a Bergman film (and Antonioni).

    • My question now is… what on earth happens in the next few movies?

  3. I was really surprised how much I enjoyed The Hunger Games as well. I went into the movie blind, then ended up reading the entire series afterwards. It was a little teen-y for me at times, but good overall.

  4. Phil

    Ok. I’ll re-watch The Mirror. Stalker is in my top 10, but I couldn’t get a handle on The Mirror.

  5. This has to be the first post on the internet that mentions both Surf Nazis Must Die and The Mirror. Awesome.

  6. That’s a hell of a weekend. I haven’t devoted that kind of time purely to viewing since, perhaps, as far back as high-school. If you’re looking for another cult Disney film, “Black Cauldron” would be a great fit for another weekend like this one.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s